Before he’d left with his father and brother, her younger son Will had drawn a rough circle around her chair in the sand, intoning mock-seriously, “Stay within this ring, fair lady, while I search for golden treasure in the land of our ancestors. Do not leave the protection of this circle or you will surely perish.” Judy laughed and waved him off, glad of a few moments to herself in the midst of the tumbling togetherness of their vacation. She loved her husband, her chivalrous Tolkien-besotted son and his quieter, less demonstrative older brother, but she wasn’t used to spending this much time with all of them.
" 'Things close in,' said Walter Mitty vaguely." In this blog I consider topics of close-in importance to me. And ponder how things do manage to close in. When I feel like it.
Tuesday, June 17, 2008
Woman in a circle
Before he’d left with his father and brother, her younger son Will had drawn a rough circle around her chair in the sand, intoning mock-seriously, “Stay within this ring, fair lady, while I search for golden treasure in the land of our ancestors. Do not leave the protection of this circle or you will surely perish.” Judy laughed and waved him off, glad of a few moments to herself in the midst of the tumbling togetherness of their vacation. She loved her husband, her chivalrous Tolkien-besotted son and his quieter, less demonstrative older brother, but she wasn’t used to spending this much time with all of them.
Tuesday, June 03, 2008
To-Do List for the 2nd Half of Life
- Let go of grudges. Especially, those against people who don’t even know I’m holding them.
- Make something, alone or with other people, as often as possible.
- Climb every mountain. Well, not every mountain. Maybe just one mountain.
- Don’t just sit there, do something about something important.
- Write. Often. Get better at it.
- Discover and appreciate great art.
- Learn new stuff, and then share it or teach it so it sticks.
- Forgive myself, every day.
- Breathe.
- Choose to be peaceful, kind, and loving. Repeat as necessary.
Thursday, May 29, 2008
Keeping Chickens
Thursday, May 22, 2008
Wiener Wraps
School Lunches, Take 2 May 21, 2008
The best school lunch at Lakewood Elementary was wiener wraps. On wiener wrap days, you begged your mom for 50 cents to buy a hot lunch instead of the usual lunch box packed with some variation on the sandwich, fruit, and dessert theme. On wiener wrap days you began to notice the aroma of baking bread around math time, maybe 10 am. By the time Miss Gackle stood at the classroom door and ordered the 5th grade class to line up for lunch, the smell filled every cranny of the old school building, overpowering the smell of chalk dust, dirty tennis shoes, and unwashed pre-teens, and everyone was crazy with anticipation. Instead of the usual shoving and goofing off, everyone behaved perfectly, marching in a straight line all the way down the hall to the cafetorium, not wanting to risk any infraction that would impede the trip to the lunch line. With the possible exception of Mike, who never had lunch money anyway and knew he wouldn’t succeed at cadging anyone else’s today. Mike was his usual off-kilter self, zigzagging down the hall six feet or so behind the rest of us, arms outspread, zooming, whooshing, and buzzing his way along.
The cafeteria ladies made these amazing things from scratch. Fresh white bread dough spiraled around plump, juicy hot dogs and was allowed to rise until the dogs were all but hidden, enfolded in their yeasty bread wrappers. Hot from the oven, they were served, two to a tray, steaming and golden brown. In the round indent next to them on the fiberglass tray a cafeteria lady plopped a glob of bright yellow mustard. After another cafeteria lady plunked a carton of milk in the square indentation on the tray, you now possessed a complete meal, Lakewood’s finest cuisine. No hamburger gravy on mashed potatoes or Salisbury steak with tater tots or, god help us, fish sticks, today!
You had to savor them, not gobble them in a couple of bites. First, you dipped the end—a bit of pink hot dog peeking out of the golden bread—in the mustard. Then, you took a bite, making sure you got a cross section of the concoction in your mouth—a chunk of hot dog surrounded by its cocoon of bread. In a properly configured bite, you first tasted the tangy mustard, then you bit down on savory meat, its juices bursting on your molars, then you chewed the slightly crunchy, warm bread and finished with a swig of milk. You repeated this until you’d finished both the wraps, using just enough of the mustard with each bite so that there was some left to mop up with the last bit of hot dog and bread. Then, you regretted that there was no more. You would ask around, and see if maybe any of your friends weren’t going to finish theirs. This was highly unlikely, but worth a try. You had to gently but firmly brush Mike off if he pestered you for some of yours.
Tuesday, May 20, 2008
Character exercise 5
Robert Downey Jr.
His face is thin but not gaunt, and it’s punctuated with sets of vertical lines like brackets or exclamation points. Two extend from his long, straight nose up into his forehead, especially when he grimaces. A pair of lines bridges the gap between his nose and upper lip. Another pair on either side of his nose provides definition and depth to his otherwise flat cheeks. His jaw is another sharp line: a bracket running from ears to chin, intersecting with a vein that runs from beneath his ear straight down his neck. All that straightness makes those round, dark brown, heavy lidded eyes that much more arresting.
He is full of stops and starts: stillness, then a cut of the eyes, wrinkle of the nose, arch of the eyebrows, quick flash of that dazzling boyish smile followed by a snarl, a smirk, a grimace. Then, more stillness, as if to emphasize the brilliant range of movement that preceded it. His movements seem casual, offhand, yet never random. He releases his energy gracefully, generously, purposefully. He is taut, nimble, playful, elegant.
Val Kilmer
Everything about this man’s face is smooth and rounded. His teeth are like a row of white pebbles, a string of ivory beads between full, padded lips. His forehead is high and broad. His cheeks are like two apricots, warm and fleshy and smooth. Between the apricot cheeks is a wide nose. The chin below his upturned mouth is an echo of that smiling curve.
This man hoards movement like a miser on a hill of gold. Every motion is precise, controlled. His face and body are quiet, calm, with tension just beneath the surface like a cat poised to spring. He moves like a well-oiled machine. No nervous tics or fidgeting, just smooth, tight economy of gesture. He seems to gather and absorb the energy of those around him, like padded walls in an asylum, never diverted from his purposeful stillness.