Wednesday, March 04, 2015

Great Courses Exercise 11

Write a scene two ways: as surprise (where reader and a character learn of a plot development at the same time) and suspense (where reader is in on the plot, but at least one character isn't)

Surprise: Carrie’s POV

I’ve always loved the beach, and John’s never been that into it, so I was surprised when he suggested going to Alki that afternoon. 

Before he could change his mind, I grabbed my sandals and jacket and headed out the door. I waited in the car, fiddling with my phone and checking Facebook, while he found his car keys and locked up. Silly me, I even posted a status, all breathless and goofy, about how we were going beachcombing together. Later, I really wished I hadn’t done that. 

We found a parking place and made our way down to the beach. I tossed my sandals in the dry sand, rolled up my jeans, ran to the water’s edge, and started looking for treasure. I breathed the briny air and let the sound of the waves and seagull cries take me to my happy place, where nothing mattered but the search for elusive bits of shells and sea glass. 

Pretty soon I noticed that John wasn’t anywhere near. I’d left him behind as I plied the sand in my beachcombing trance. I looked up and saw him standing up on the dry sand about ten yards away, his hands on his hips and a displeased expression on his face. I knew he didn’t share my zeal for beach glass, but I decided to ignore his grimace.

“Come on!” I said. “The water’s not that cold!"

“It’s January. The water’s freezing,” he said. 

“You don’t have to get your feet wet! Just come here and walk with me,” I said, holding out my wet, sandy paw. He shook his head with undisguised disgust. 

“Okay fine, you’re not into beachcombing. How come you wanted to come down here today, anyway?” 

“I was actually hoping to talk to you,” he said. “Maybe you can stop mucking around down there and walk with me." 

I stood there, my back to the waves, trying to decide if I wanted to go with him. Then he closed the distance between us and stood in the dry sand, that unpleasant expression still on his face. I knew something was wrong. That’s when he dropped the horrible news. 

“Here’s the thing,” he said. 

I never liked it when he used that phrase. It never boded glad tidings.

“I’ve been having an affair,” he said. 

A wave washed over my feet and got my jeans wet. I felt swamped.

“What?” I said. 

“You heard me."

“But John, you can’t,” I said. It was a moronic, nonsensical thing to say. More waves washed over me. I was too stunned to move, and now I was wet up to my thighs. 

He moved toward me, took me none too gently by the arm, and dragged me up to the dry sand as if he were pulling a toddler out of a wading pool. I went with him, resenting his touch. 

“Yeah, I can, I did. I still am."

“Who with?” I asked, but immediately after the words came out I knew that it was a woman he worked with, who I’d met several times, who we had entertained in our house with her husband, who I even sort of liked. 

“Jessica,” I said.

“Look, I don’t want to get into it,” he said.

“Sorry, bub, I think you’re already into it,” I said, kind of amazed that I’d pushed back. “It’s Jessica, right?"

“Yes."

“Do you love her?” 

“Yes."

“Do you still love me?"

“I haven’t been in love with you for a long time, Carrie,” he said. 

My legs were stinging from the cold salt water. I began to shiver, and I reached out to him, hoping he would take me in his arms and comfort me, and this would all be a sick, bad, joke. But he just stood with his arms crossed, stony-faced.

“But I love you!” I said, knowing it didn’t matter. “We can work it out, I know we can. I would forgive you. We could go to counseling. I know I’m partly to blame for this."

He seemed about to laugh as I said this. 

“Carrie, don’t be so fucking clueless. I’m not going to counseling with you. I want a divorce."

I couldn’t stand to hear any more. I found my sandals and crammed them on my sandy feet, and started running back to the car, not even caring if he was following. 




Suspense: John’s POV

Today’s the day. I’ve put it off too long. I’ve got to tell her. Jessica has given me an ultimatum. If I don’t tell her this weekend, she’ll break it off with me, and I couldn’t handle that. 

“Let’s go to Alki,” I say. Carrie looks surprised. She knows I hate the beach, knows I’d rather have a root canal than wander around on the wet sand. Maybe this isn’t sending the right signal, me asking her to go to a place she loves in order to give her the bad news. But’s it’s out of my mouth, and she has already put on her jacket and left the house.

I keep her waiting for a few minutes while I find my keys and shoes and a jacket, and I send a quick text to Jessica, to let her know that I’ll be coming to her in a little while, after.

Carrie chatters happily on the way to the beach, talking about how much she loves it there, about how she wants to look for washed-up junk down on the shore, about how she’s hoping we can grab dinner at Salty’s after taking a walk. She’s planning our afternoon and evening and not even noticing that I’m not saying anything. 

She takes off for the waves like a puppy, jumping out of the car and running before I can even finish parking. I follow her, sighing. This is going to be harder than I thought. She’s distracted, like a toddler, and I’ll have a hard time getting her attention. 

I follow her while she messes around in the sand, finding and pocketing bits of stuff, making noises like she’s just laid her hands on the Crown Jewels, not caring that her feet are getting wet. I walk on the dry sand, waiting to see whether she even notices that I’m not with her. 

Finally, she stops and turns around and sees that I’m at least ten yards behind her. 

“Come here, John!” she says. "The water’s not that cold!”

Yeah, right. I don’t answer her, or move any closer.

“Could you come up here?” I say. “I want to talk to you."

She looks chastened, like a scolded child, and I wait for her to come to me. She slogs her way out of the water and stands there shivering, looking like she expects me to give her my coat or something. I’m annoyed, want to tell her she shouldn’t have gone in the water in January. But that’s not what I need to say. 

“Here’s the thing,” I say. There isn’t any way to do this except to do it. Better to rip the bandage off quickly. 

“I’m having an affair,” I say. 

She looks stunned. I can’t believe she’s surprised. I thought she’d have figured it out by now, with all the late nights away from home, the text messages on my phone. I haven’t exactly hid my movements. 

“Who?” she asks. And a second later, she says, “Jessica.” So she sort of did know. I’ve worked with Jessica for years. We’ve had Jessica and her husband to our house for dinner. I felt bad about that, playing footsie right under our spouses’ noses. It was a big turn-on, though. We had mind-blowing sex later that night, in my car in a parking lot, after both of us made excuses and snuck out of our houses.

“Do you love her?” she asks.

“Yes."

“How long?"

“I don’t want to go into it. Look, Carrie. I don’t love you anymore. I want a divorce."

She starts to cry. I really hate it when she cries. Her face is ugly and crumpled and her nose is red. She says a few things about how she still loves me, about how she’s pretty sure it’s her fault I cheated, how she wants us to go to counseling, patch things up. How she’s willing to try to forgive me. Every sentence hardens me even further. I don’t want to be with this woman anymore. 

“No,” I say. “There’s no point.” 

She turns and runs toward the car, tripping in the soft sand and falling on her face. I don’t care. I take her home, and then I leave. Jessica and my new life are waiting. 













Great Courses Exercise 8

Story from 2 lines of overheard dialogue.


“So he bought an AK47, like, just for fun,” he said.

Peter and Megan were at Starbucks, where they stopped for Frappucinos nearly every day after school. The place was crowded with soccer moms with kids in tow, fueling themselves before hauling their kids to practice, and a host of teenagers who had nothing else to do until dinnertime. 

“What’s an AK47?” she asked absently, not really caring but wanting to kill time until their order came up. 

“An assault rifle,” he said. “AK stands for Automatic-Kalashnikov. It’s made in Russia, and it’s one seriously badass rifle. The barrel is grooved, which makes it so that the bullets…”

Peter launched into a long, technical explanation of how the gun was manufactured, and the details of its killing potential. 

Their drinks were ready. The barista called out their names. Peter collected their cups and handed Megan her order. They found a table. He kept up his monologue throughout. 

Megan listened with half an ear, her mind wandering. She was thinking about her outfit for Tolo, which was coming up in only five days. She wasn’t sure about the silver sandals, whether they would stay on her feet when she danced. Maybe she should go to Nordstrom and see if she could find anything better. Megan had invited Peter to Tolo over a month ago, as soon as tickets went on sale. Back then she had been in the throes of a crazy crush on him, but as the month had worn on, her interest had started to wane. She still wanted to go to the dance, of course; after all, she was on the planning committee. She had to go, had to show up in her finery on the arm of a handsome boy, whether or not she still liked him.

“Interesting,” she said, when he finally paused for breath. He opened his mouth to continue his lecture, apparently not understanding her ironic use of the word.

She blurted, “So, Peter, did you book the limo yet?"

“The limo?” he asked, staring at her gap-mouthed as if he’d never heard of a limousine. 

“You know, a large vehicle driven by a chauffeur, engaged for the purpose of riding in style to a formal dance,” Megan said, striving to keep her tone light and flirtatious.

“Wait, I was supposed to book a limo? But I thought Tolo was, you know, girls invite boys."

The boy who could riff for thirty minutes on nearly any topic, whether or not he knew anything about it, apparently had not the first clue about the logistics of a high school dance. Or maybe he was feigning ignorance. Megan looked at him incredulously. 

“We talked about this,” she said. 

“I think I would remember you telling me that I had to hire a limo,” he said.

“So, I take it the answer is no,” she said. 

“What’s wrong with going in my car?” he asked. 

She ignored the question.

“What about dinner?” she asked. “Did you make reservations?” 

His blank expression told her the answer. She was starting to hate his ugly mug. How could a boy who was so smart be so incredibly dumb?






Great Courses Exercise 7

Write dialog, then add more. 


Version 1. Just dialogue:

“I love walking on the beach, don’t you? It’s just so nice—wading in the surf and looking for beach glass."

“We're missing the game."

“Aw, pooh, there’s always a game on. It’s not every day you can enjoy the sunshine at Alki. It’s a perfect day for beachcombing!” 

“Whatever. I don’t see what’s so interesting about pieces of old beer bottles. It’s just trash."

“Trash? Only if you lack imagination, honey. There’s a million things to do with beach glass. Remember that candle holder I made for you last Valentine’s Day? It was pretty and romantic, wasn’t it? I used that red glass and white sand and…"

“I guess. Look, I’m going up to Salty’s to grab a beer and catch the rest of the game."

“You are? Oh, but I’m not nearly done soaking up the sun. I don’t want to go into that stinky bar."

“Suit yourself."

“You’re taking off without me? But I thought we were going to spend the afternoon together. John, wait!"


Version 2: Dialogue and tags. 

“I love walking on the beach, don’t you?” said Carrie. “It’s just so nice—wading in the surf and looking for beach glass."

“We're missing the game,” said John.

“Aw, pooh, there’s always a game on. It’s not every day you can enjoy the sunshine here at Alki. It’s a perfect day for beach combing!” said Carrie. 

“Whatever. I don’t see what’s so interesting about pieces of old beer bottles,” said John. “It’s just trash."

“Trash? Only if you lack imagination, honey. There’s a million things to do with beach glass. Remember that candle holder I made for you last Valentine’s Day? It was pretty and romantic, wasn’t it? I used that red glass and white sand and…"

“I guess,” said John. "Look, I’m going up to Salty’s to grab a beer and catch the rest of the game."

“You are? Oh, but I’m not nearly done soaking up the sun. I don’t want to go into that stinky bar,” said Carrie, sounding a bit like a toddler who doesn’t want her nap.

“Suit yourself,” said John.

“You’re taking off without me? But I thought we were going to spend the afternoon together. John, wait!"



Version 3: Dialogue and slightly more descriptive tags.

“I love walking on the beach, don’t you?” said Carrie. “It’s just so nice—wading in the surf and looking for beach glass."

“We're missing the game,” said John curtly. 

“Aw, pooh, there’s always a game on. It’s not every day you can enjoy the sunshine here at Alki. It’s a perfect day for beach combing!” said Carrie, her voice rising in pitch. 

“Whatever. I don’t see what’s so interesting about pieces of old beer bottles. It’s just trash.”  

“Trash? Only if you lack imagination, honey. There’s a million things to do with beach glass. Remember that candle holder I made for you last Valentine’s Day? It was pretty and romantic, wasn’t it? I used that red glass and white sand and…"

“I guess,” said John, interrupting as Carrie began to wax rhapsodic. "Look, I’m going up to Salty’s to grab a beer and catch the rest of the game."

“You are? Oh, but I’m not nearly done soaking up the sun. I don’t want to go into that stinky bar,” said Carrie, sounding a bit like a toddler who didn't want her nap.

“Suit yourself."

“You’re taking off without me? But I thought we were going to spend the afternoon together. John, wait!” she cried, her voice taking on a quavery tone. 



Version 4. Dialogue and description/narrative.

Carrie and John were walking on Alki beach. Carrie had removed her shoes and tossed them carelessly against the sea wall. Her feet were in the shallow surf, her jeans rolled to her knees. John was six feet away, up on the wet sand, still wearing his new white Converse All-Stars, trying to avoid the waves. 

“I love walking on the beach, don’t you?” said Carrie. “It’s just so nice—wading in the surf and looking for beach glass.” Just then a wave washed over Carrie’s feet and soaked the rolled-up hem of her jeans. She screamed, then stood and looked out at the waves, laughing.  

“We're missing the game,” said John. He turned away from the tide and looked over at the boulevard lined with sports bars, coffee shops, and restaurants. Just then, a loud groan could be heard from a patio crowded with guys wearing Seahawks jerseys and holding glasses of beer.

“Aw, pooh, there’s always a game on. It’s not every day you can enjoy the sunshine here at Alki. It’s a perfect day for beachcombing!” Carrie bent over and sifted through the wet sand at her feet. She picked up a bit of blue glass and pocketed it. She looked at John, beaming. 

“Whatever. I don’t see what’s so interesting about pieces of old beer bottles. It’s just trash.” He spit a large wad of tobacco on the sand, where it was engulfed by a wave and washed away with the shards of plastic that dotted the beach. 

“You lack imagination, honey. There’s a million things to do with beach glass. Remember that candle holder I made for you last Valentine’s Day? It was pretty and romantic, wasn’t it? I used all that red glass and white sand and…"

“I guess,” said John, interrupting her description. "Look, I’m going up to Salty’s to grab a beer and catch the rest of the game.” He turned and began walking away, toward the crowded patio.

“You are? Oh, but I’m not nearly done soaking up the sun. I don’t want to go into that stinky bar,” said Carrie in a whiny voice. She stood there in the surf, her back to the waves, watching John go. Moisture pooled in her eyes and her nose grew red.   

“Suit yourself.” John slogged through the soft dry sand, leaving Carrie in the waves.

“You’re taking off without me?” Carrie's voice faded as John left her for the crowd and the game. "But I thought we were going to spend the afternoon together. John, wait!” 


Version 5: Dialogue and narrative and inner monologue (John’s POV).

Carrie and John were walking on Alki beach. Carrie had removed her shoes and tossed them carelessly against the sea wall. She splashed her winter-pale feet in the shallow surf, her jeans rolled to her knees. John walked six feet away on the wet sand, still wearing his new white Converse All-Stars. He was nervous about getting them dirty and wet. Also, it was January and the water was cold. He wondered why Carrie thought it was fun to freeze her feet off in Elliott Bay. 

“I love walking on the beach, don’t you?” said Carrie. “It’s nice—wading in the surf and looking for beach glass.” Just then a wave soaked the rolled-up hem of her jeans. She screamed like a toddler who has never seen a wave before, then stood there like a fool, getting even wetter. He could hear her laughing like an idiot. He looked around to see if anyone was watching, embarrassed.   

“We're missing the game,” said John rather loudly so that she would hear him over her goofy laugh. He turned away from her and looked longingly at the boulevard lined with sports bars, coffee shops, and restaurants. A loud cheer, then a groan, could be heard from a patio crowded with guys wearing Seahawks jerseys and holding glasses of beer. Something important must have happened in the playoff game, and he had missed it. 

“Pooh, there’s always a game on. It’s the first sunshine all winter! It’s a perfect day for beachcombing!” Carrie bent over and sifted through the wet sand at her feet. She picked up a bit of blue glass and pocketed it. She looked at John, beaming as if she’d just found one of Her Majesty's Crown Jewels on the Seattle beach. 

“Whatever. It’s just trash.” He spit a large wad of tobacco on the sand, where it was engulfed by a wave and washed away with the shards of plastic that dotted the beach. She wrinkled her nose like she was about to make a comment about his habit, but then her expression changed and she raised her right finger in the pose that meant she was about to deliver one of her little speeches. 

“You lack imagination, honey.” He winced. He hated when she used that endearment. She didn’t notice, and went on with her flight of fancy. "There’s a million things to do with beach glass. Remember that candle holder I made for you last Valentine’s Day? It was pretty and romantic, wasn’t it? I used all that red glass and white sand and…"

“Yeah,” said John, not so much in agreement but as a way of interrupting her chatter. He didn’t want to go near the topic of the pink-and-white monstrosity that he had chucked in the garbage as soon as he got home from their date. "Look, I’m going up to Salty’s to catch the rest of the game.” He turned and began slogging through the soft sand, toward the crowded patio. He didn’t care whether she followed him. 

“You are? But I’m not done yet! I don’t want to go into that stinky bar,” said Carrie, her voice getting louder and whinier. He wanted to slap her when she sounded like that.

She stood there in the surf, her back to the waves, watching John go. Moisture pooled in her eyes and her nose grew red. He turned around and looked at her, and saw that she was about to cry, but he wasn’t about to let her manipulate him into missing the game, again. 

“Suit yourself.” He kept walking, leaving her at the water’s edge.

“You’re taking off without me?” Her voice faded as he left her for the friendly, beer-soaked bar, hoping he wasn’t too late for the second half. Her heard her cry plaintively, "John, wait!” He was done waiting for her. 




Great Courses: Exercise 5


Write a paragraph about someone you know as if you were introducing them as a fictional character.



In the kitchen she is a scientist, intent on testing a gastronomical hypothesis of her own design. Her measurements are scrupulous, accurate to a gram. Her movements are methodical as she chops, minces, and juliennes. A pile of vegetables is transformed into a cord of multicolored matchsticks. The recipe is propped on a spotless countertop, and she consults it frequently as she moves from one step to the next. She knows what must be done and she will not be rushed. Offers of help are politely declined. Her guests wait, salivating and impatient, as the skillet emits a symphony of sizzles and crackles and clouds of exotic spice-scented steam. When at last the meal is ready she gives precise serving instructions and watches, her brow furrowed, her face tense, waiting for the contented sighs, the rapturous phrases as plates are rapidly filled, emptied, and filled again. She tastes, she frowns. Good enough, she thinks, but not exactly right. She’ll have to do better if she wants to win the prized sous chef position at Lola.

Great Courses Exercise 3

1. Try to rewrite the scene of Mrs. Dalloway walking down Bond Street in the first-person style of the Great Gatsby, or, perhaps, in the terse and more literal-minded approach of Dashiell Hammett. In other words, see if it’s possible to evoke Mrs. Dalloway by having her tell us what she’s thinking directly or by simply describing what she does or says as she moves through the scene. Conversely, see if it’s possible to apply Virginia Woolf’s stream-of-consciousness technique to Sam Spade’s hard-boiled world and still keep the scene tense, energetic, and suspenseful.


First person:

I have always loved Bond Street in the morning. So vibrant, so full of life. I needed to buy flowers for the party. Even though I could have sent my maid for them—Lord knows there were any number of tasks to do at home—I decided to attend to this insignificant detail myself. I made the short walk from my townhouse to the flower stall. On my way, I perused the shop windows, noticing that the merchants have begun to get in things like gloves and shoes, thing not seen since before the war. 

When I was a child I would walk this same street with my father, and he would comment on the wares we saw in the window displays, like the gloves he called “nearly perfect,” gloves made of kid dyed every color imaginable, that I would forbear to beg to touch, knowing I would never be allowed. 

Why is it that some people, like my father and I, appreciate fine wares like shoes and gloves, and draw pleasure from choosing and owning them, and others, like my daughter, cannot be bothered with them? In my opinion, appreciation for fine things says something essential about a person’s character.

Literal-minded:

Mrs. Dalloway walked down Bond Street on Friday morning, not briskly but not dallying either. She wore a peach-colored duster over a calf-length ecru dress, stockings, and sensible-heeled T-strap shoes. A long flower-print fringed scarf around her neck reached below her waistline. Her wide picture hat matched her coat. She carried a closed parasol over her arm. 

She peered into a few windows that she passed, wrinkling her nose at certain merchandise (that obviously didn’t meet her exacting standards). She didn’t greet any of the people she met. She walked steadily until she reached the flower stall. 

Once there, she quickly looked over the flowers on display and made her selection.

“Roses, I think,” she said to the florist. “Ten dozen. White.” 

“Yes, ma’am,” said the florist. Mrs. Dalloway flinched. (Indicates we know what she is thinking: She was used to being called “My Lady” by people of the working class.)

“Send them to this address,” said Mrs. Dalloway, reaching into her pocket for a calling card and handing it to the florist.

“Right you are, ma’am,” he said.

She turned and quickly walked the short distance home.

Great Courses: Writing Fiction, Exercise 1

Start from an image. 

Description:

The woman is neither very young nor very old; I would guess she is in her 30s. Her clothing places her in the lower middle class. She is wearing a pink knit shirt and a silver necklace. She has dark hair and is wearing a silver stud placed off-center in her right ear. We see her in profile, the right side of her face, in tight close-up. In front of her is a silver microphone. She appears to be mid-sentence, her mouth open and her lips forming a word. Her eyes are blue and heavy-lidded. She is serious, no smile on her mouth or eyes. We see very little of the background or the rest of her surroundings; there what looks like is a stitched leather bench to the left of her shoulder and the suggestion of a railing to her right. These elements make her seem framed in a small box. Her face is well lit, as if she is being filmed. 


Who, What, Where, When, Why?

After the operation, Siobhan began to bleed profusely. She felt it start even as she walked home from Maeve’s place. She’d been warned about this, and had been provided with a thick pad by the grandmotherly woman who had performed the procedure in Maeve’s parlor, but she hadn’t expected the voluminous flood she felt between her legs, a stain that would ruin her best jeans if she didn’t take care of it immediately. Siobhan reached home and ran to the cottage’s only bathroom, ignoring her mother’s call from the kitchen. The gory sight overcame her, and she collapsed in a graceless heap on the linoleum floor. Siobhan’s mother found her there, bloody and senseless, sussed out the situation, slapped Siobhan awake, and then promptly called the police. She didn’t stop to ask Siobhan how she’d arrived at this predicament. That story was as old as the green Irish hills, and Maureen O’Leary didn’t need to hear it to know what must be done.

“Mam, don’t do it,” screamed Siobhan from the floor of the bathroom when she heard her mother speaking into the phone, telling what had happened and giving their address. “It’s none of their damn business, what I done.” 

Maureen slammed down the receiver and came to bathroom doorway. She stood there, hands on hips, blocking the door and frowning down on her daughter.

“Dammit, Siobhan, you know I had to,” she said.

“You didn’t,” said Siobhan. “Nobody had to know. Don’t you care? Don’t you know what’ll happen to me now?"

“P’raps you should have thought of that before you spread your knees. Who was it, missy? Sean Casey? Denny McGrew? Michael O’Callahan? Or do you even know? And who did this to you?” she asked, indicating the bloody mess.

“I’m not answering that, Ma. You don’t need to know. And they won’t care. The law doesn’t apply to  men, they stick their pricks in whoever they want, no thought to consequences, it’s only the women who have to pay the price."

“Oh, that’s fine, you and your vulgar speeches. Have sex all you want, and no consequences for you, that's fair, is it? And I find you here, flushing my grandchild down the toilet instead of doing the right thing and having that baby. You’d no right, missy, and what’s more, you broke the law. I had no choice but to turn you in."

“It’s not a child, it’s only blood,” said Siobhan, though she knew it would further rile her mother .

“’Twas a child, plain and simple, in God’s eyes, daughter. And you’ve gone and killed it. You’ve sinned and you’ll pay for it."

“I’ll go to jail, mother. Is that what you want?"

“What I want is for my daughter to behave like the good Catholic woman I raised her to be. Not the slut I see before me now. You’d better change clothes and get ready to explain yourself to the police. They’ll be here any minute."